![]() ![]() ![]() We also shot on the scenic Rayagada section (Odisha). ![]() The crew captured the beauty of Dudh Sagar waterfall on the way from Goa to Hubli. I wanted the film to showcase the beauty of our landscape, and since it is set in a train, we’ve shot on the Northern, Eastern, Western and Southern corridors. He speaks about how he goes about creating the colour palette and scene-scape for his films. The director has shot the film across the country, showcasing Nature’s bounty like never before. Thodari, hitting screens today, is his ode to train journeys. Plus, a set can never do justice to reality.” “That way, you get into the zone and focus immediately. “I believe in shooting on location,” says Prabu. Take Ladakh, for instance… from snow to a desert to a lake, you have everything there.” Prabu also makes it a point to never shoot outside the country. Sometimes, a village is the sum total of many places within the country,” he says. I visualise a place on the drawing board and set out to recreate it on film. “Till then, I did not develop such a language and scene-scape. ![]() I derive inspiration from books…” This process of setting a film in a location and showcasing its evocative beauty started with Even as an assistant director, I’d make mental notes of places we visited. His films reflect his yearning to see new places and live new experiences. Director Prabu Solomon is known for his love for travel. ![]()
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